Based in Buenos Aires, Argentina, Yesica Pogorzelsky is an Illustrator and Character Designer. She has worked extensively in animation, predominately as a Character Designer, but also on Storyboards and Animatic. In 2012 she worked alongside creative agency La Comunidad on their series of adverts for TCL’s new LED TV. Then in 2013 she stretched her storyboard muscles on Volkswagen “Think Blue” campaign.
Presenting the work of graphic designer and illustrator, Gregory Hartman. Based in Pittsburgh, Hartman is currently a designer at language-learning service, Duolingo. Hartman’s styles comfortable split into two areas. The first being his re-imagined existing characters, with exaggerated physical features, beautifully rendered. The second is a flatter, icon-inspired, with geometric shapes and limited colours. Where does Hartman get his inspiration from? Well…
My most reliable source of inspiration is my drive for creating something different.
Californian Illustrator Bill Cone is well known for his sensational pastel artwork and his ongoing contribution to Pixar Animation Studios. He studyied Painting at San Francisco State University before going on to study Illustration at Art Center College of Design. After his graduation, Cone embarked on a career as a landscape painter and for over 17 years he has exhibited annually, both in group and one-man shows.
Cone is both a Production Designer and Teacher at Pixar. He has produced lighting studied, worked as a storyboard artist, background painter, and character designer. On top of all these roles, for over 10 years, Cone has taught light and color classes to the Pixar alumni. He has contributed to successful animations such as Toy Story (1995), A Bug’s Life (1998), Toy Story 2 (1999), Ratatouille (2007), and Up (2009). Interestingly, it was during work on A Bug’s Life that he started using pastels to do lighting studies. Enjoying them very much and seeing their speed benefits, he decided to use pastels in his personal work too.
You can see much more of Bill Cone’s wonderful artwork on his blog, which he couples with eloquent and verbose descriptions.
Croatian illustrators Tonči Zonjić (pronouced TAWN-chih ZAWN-yitch) has been called “a master of cinematic comics”, which, I am inclined to agree with.
Zonjić was born in 1986, originally studied Math at the Natural Sciences High School, with the intentions of going into Computer Programming. Then one fateful day the wonderful word of art took hold of him. Originally Zonjić studied Graphic Design, but found it was not a good fit for him due to a desire to draw more, so after a year he switched gears and joined the Fine Arts Academy to study Animation. Though happier there, the course did not sustain him and Zonjić dropped out after two years to become a freelance illustrator.
During his time as a freelancer Zonjić worked on storyboards, advertisements, book covers, and had a weekly newspaper slot drawing portraits. He dipped his feet into comic via Darko Macan’s fanzine Q strip.
Working as a freelancer, and having the chance to grow as a comic artist through shorter strips, Zonjić became very comfortable handling all parts of the comic process from story to pencils, inks, color and letters. So when he entered the American comic world with Marvel’s The Immortal Iron Fist series by Ed Brubaker and Matt Fraction, he was already exhibiting confident clear storytelling. Since then he has worked on both Marvel and DC titles, Mike Allred’s Madman, Mike Mignola’s Lobster Johnson and Ales Kot’s Zero.
2011 saw the release of his collaboration with writer Nathan Edmondson, Who Is Jake Ellis? The spy thriller, entirely drawn and coloured by Zonjić, really allows him to explore a more cinematic approach to storytelling. Using colour heavily to help differentiate scenes, reminiscent of 100 Bullets. In the follow-up, Where is Jake Ellis? Zonjić just blows it out of the water. Everything is tightened, from the design and layouts to the pacing, and showing much more confident as a colourist. With the fifth and final issue of Where is Jake Ellis? yet to be released with no annonuced release date, the complete trade paperback however, is set for release in July 2015.
Swedish freelance illustrator, Andreas Bennwik, has worked with a plethora of large brands including Volkswagen, Micheline, Audi, EMI, McDonalds and Paradox Interactive. He has produced illustrations for advertising, packaging, video games and book covers. Some of his book cover highlights including Nancy Drew, Famous Five and The Hardy Boys.
With such a large body of work, it may amuse you to know, I actually stumbled on his work after seeing a piece he is working for the upcoming film, Kung Fury. I cannot wait to see the finished poster, and the film for that matter.
His realistic renditions allow for some wonderful juxtapositions and satire. This is explored particularly in his editorial work. Some of Bennwik’s illustrations are rendered so well, that you have to double take, making sure it’s not a photograph you are looking at.
To see more of Andreas Bennwik’s work head over to his website.