Presenting the very lush work of Jens Claessens. Based in Antwerp, Belgium, Mr Claessens is a freelance visual development artist. As a freelancer and alongside visual development studio Votla he has worked with companies including Microsoft, Ubisoft, Sony, THQ, Mattel, and Warner Brother Games.
Succeeding fan favorite Gail Simone would be no easy feat, but as soon as the first image of Batgirl’s new costume was released, the internet went crazy, the likes had never been seen. Within hours there were hundreds of fan art. About a week later there was a blog to showcase the huge amount of artwork and even some cosplay costumes.
Outside of the bat-mania Cameron Stewart is a very decorated illustrator, with both Eisner Award and Shuster Awards and Eagle Award and Harvey Award nominations. He has worked for all the big comic companies DC, Marvel, and Dark Horse Comics, on titles including B.P.R.D., Catwoman, Batman and Robin, Seaguy, and Seven Soldiers: The Manhattan Guardian.
In 2007 Mr Stewart released a webcomic called Sin Titulo. The noir mystery-thriller earned him an Eisner Award, and later went on to be published by Dark Horse Comics. Earlier this year it was announced that Cameron Stewart will be illustrating a Fight Club comic. Set to be realsed in 2015, written by the novel’s author Chuck Palahniuk, it will be a direct sequel to the 1999 movie.
You can find more of Cameron Stewart’s work on his website.
We will be continuing our winsome walk down memory lane, or the period of internet history that I am affectionately dubbing The Web Animation Renaissance. Today’s focus is on Bernard Derriman.
Sharing a similar story to Adam Phillips, Mr Derriman an Australian Animation Director, whom is also a Sydney Walt Disney Studios alumni. He gained his first dose of exposure with his award-winning short animation Chopper, based on the 2000 film of the same name. He also animated and directed the TISM’s music video for Everyone Else Has Had More Sex Than Me, which received a Channel Frederator Award for funniest film .
Arj and Poopy was a 10 episode series created by Bernard Derriman and comedian Arj Barker. The series was consistently funny, with off-kilt pacing that heightened the awkwardness. Though it started strong it definitely got better, scoring itself multiple awards including two Annecy International Animated Film Festival Awards.
The episode, Unlucky in Love, though not as revere as the series concluding episode, still perfectly encapsulates the quality and humour of the whole series. Not to mention, that I can watch Poopy dancing and smiling on repeat and never tire of it.
This weekend I was in a somewhat nostalgic mood. My mind wondered off, and came to a place it had not visited in quite some time. That place was flash animations, specially around 10 years ago. At that time, sites like AtomFilms and Newgrounds were providing a platform for web animation, enabling and encouraging the medium to grow. Every so often there would be a noteworthy short, but on the whole the standard of work was clouded with exploratory and amateur attempts. Through the fog, however, emerge a handful a of truly skilled individuals and work. One such individual is the focus of today’s post.
Australian freelance animator Adam Phillips originally worked as a character animator and effects director at Walt Disney Studios in Sydney. Many of his project were sequels to hit Disney movies, including Lion King 2: Simba’s Pride (1998) and Aladdin and the King of Thieves (1996). Applying the Disney school of thought to his own animated series Brackenwood revealed a glaring difference in the quality to that of most web animations that had come before.
Waterlollies was one of the last animations Mr Phillips released in the Brackenwood series, and it is liquid beauty. Throughout the series’ six-year run, it received multiple awards and Waterlollies, deservedly so, picked up the Newgrounds Tank Award for Best Movie of 2007.
We are showering you with magic this week. I’m not sure if there is a better word to describe this weeks features, and today is no less. Veronique Meignaud is a freelance illustrator from Montreal, Canada. Student of the Emile Cohl Art School in France, she has worked in the games industry, for the past 10 years, as a concept artist. Ms Meignaud has also collaborated on a wide range on multimedia project. Some of her previous clients include Cirque du Soleil, Ubisoft, Electronic Arts, Nike, and Marc Ecko.
Veronique Meignaud’s artwork is striking and complex. It mixes intricate shapes with an array of colours, but all the while manages to keep the elements working harmoniously. It varies in style but the beauty remains consistent.