Very popular deviantArt illustrator, Phobs, packs her gallery with vivid characters donning carefully observed outfits. Never scared of detail she regularly dress a scene with an array of elaborate fabrics. As an avid mix-media artist, Phobs is able to incorporate a range of textures in her work. It’s this attention to detail that really tell the story of her characters and bring them to life.
Firstly, we would like to wish all our fellow Loungers a Happy New Year and hope you had a cheerful festive break. We would also like to take this opportunity to remind you that we are looking for Guest Authors. If you are a knowledgeable illustration-enthusiast, write well, and want to share your passion on the Lounge for all to read, please contact us. We would love to get back to posting daily by expanding the Illustrator’s Lounge team and can not do it without your help.
Now, with the formalities out of the way, let me introduce you to today’s feature, G. Grossman. If you are anything like me and wondering what the “G” stands for, I used all the Google-Fu I know but still could not find out for you, so sadly that will have to remain a mystery. However, though the forename is unsaid, G. Grossman has been rather vocal about their process answering a cross-section of questions. I positively appreciate the variety of time-honoured mediums Grossman uses, particular the watercolour/colour pencil combination. It is also nice to know Grossman’s skill as a traditional illustrator does not deter from taking pieces to the computer to add that little bit extra. To see more of G. Grossman’s work please check out the GG Makes Art website, and tumblr.
I recently stumbled on the wonderful work of Toerning through one of her few, but very useful, tutorials. Her tutorials are filled with tips about lighting, perspective, composition and colour, and well worth a gander.
Often working with traditional mediums such as ink, acrylics or gouache. Toerning’s knowledge of lighting and colour really stands out. And her marrying of both traditional and digital processes create some stunning results, as seen in her Selkie pieces.
Tokyo-based artist whom prefers to remain nameless, ageless and faceless simply goes by the pseudonym hi, often found with the accompanying symbol 非 (non-). As stunning as his paintings are, they were made that bit more spectacular to me when I found out they are produced wholly digitally. hi could be the first illustrator I have come across where I appreciate their work more for not being traditional.
hi’s subject matters are often quite bleak and haunting. Choosing to depict gaunt figures, often nude, creates an explicit vulnerability. The pallet choice, however, could be the real draw to hi’s work. Though most pieces have a mute overtone, they are filled with a wealth of colour. The beauty of the vivid colour clash congers up thoughts of fantasy and mysticism. This combination of bleak and beautiful contributes to the off-kilter nature of the pieces.
Head over to 非 hi’s tumblr to see more bewitching work.