Neill Cameron is a freelance illustrator, writer, and teacher based in Oxford, England. Much of his focus and effort goes into making awesome comics for young readers. His work regularly appears in the weekly children’s comic The Phoenix. Currently, he is writing and drawing Mega Robo Bros for The Phoenix, as well as writing Tamsin and the Deep, illustrated by Kate Brown.
Don Shank is an Annie and Emmy awards winning animator. Pleasantly planted in California, he is currently working at Pixar Animation Studios. Shank studied animation at the renowned CalArts. Whose alumni include fellow Pixar patriots, John Lasseter, Brad Bird, and Pete Docter, to name but a few.
After university, Shank worked at a variety of studios including Nickelodeon Animation Studio, where he worked as a layout artist on the groundbreaking Ren & Stimpy Show, Cartoon Network Studios and later, Hanna-Barbera Productions where he worked as a storyboard artist on Genndy Tartakovsky’s Dexter’s Lab and Samurai Jack as well as Craig McCracken’s Powerpuff Girls. Shank also wrote for Samurai Jack, Powerpuff Girls and The Powerpuff Girls Movie.
Noumeda Carbone is an award winning illustrator based in Florence, Italy. Freelancing since 2006 she has worked with a host of clients including Leo Burnett, Vogue, Saatchi & Saatchi and The Guardian. Carbone’s detailed and surreal work has graced the walls of multiple solo and group exhibition and illuminated the pages of many magazines like Rolling Stone, Glamour, Computer Arts, La Perla Magazine, and Juxtapoz.
Carbone’s illustrations balance the fanciful with the forlorn. Finicky detail sit next to fancy-free water colour brush work. All the elements are collated digitally to give a coherent, layered and dazzling finished piece.
Jerzy Drozd, the cartoonist and teaching artist, not the “creative bass guitar company with unique design” is the guiding force behind possibly my favourite podcast, Lean Into Art (LIA). He, along with co-host Rob Stenzinger, have consistently thought-provoking topics and discussion. Drozd is also responsible for Comics Are Great!, which among many things, runs regular workshops and events for children and teenagers. With the aim of encouraging them to read more and, of course, learn how to make comics.
As his tagline suggests, Drozd is not only a teaching artist, he spends much of his time as a professional cartoonist. He has worked on graphic novels, The Front: Rebirth an all-ages action/adventure, and most recently, The Warren Commission Report: A Graphic Investigation into the Kennedy Assassination, which the title helpfully removes the need for a synopsis. It was written by Dan Mishkin and Drozd collaborated with Illustrator Ernie Colón on the artwork.
Drozd has also started a webcomic called Boulder and Fleet. A new page is released each week and it centers around a bear and a bird, with a host of other animals, whom go on 80s-cartoon-inspired adventures. There’s lots of lasers. Exactly. I will give you a minute to go and bookmark it.
Since its launch in 2011 Gumroad has fast become the one of the most popular platforms for creatives to sell their digital content. However, Gumroad is purposely designed without a centralised area of search and discovery, instead the emphasis is on the creators to direct their audience. Which makes it impossible to just stumble on all that great content. You can find some good stuff in the Gumroad Collections section, but that really does not even scratch the surface of how many gems the site has.
So I took it upon myself to put together a list of 28 Gumroad creators you really should know:
We asked 200 artists one question.”If I was a magic genie, and could make a book that would solve all of your art problems, what would that book be?” We got many different answers, but after a while, we started to see similar patterns in their responses. Most common problems had to do with character design, movement, facial expressions & drawing hands. 21 Draw solves all of these problems.
21 Draw is a book about character design, movement and expression drawn by over 100 amazing artists who have worked for Disney, Pixar, Dreamworks, Rockstar Games, Marvel, D.C Comics, Capcom and other giants of the entertainment and gaming industry.
The Book Review
21 Draw is the exact type of project that could only be conceived and delivered with today’s social media and crowd-funding backdrop. The Lounge was lucky enough to be contacted by Chris O’Hara about the project very early on. So, in May last year, once the project went live on Indiegogo we watched in anticipation how well it would be received. However, with the roster of phenomenal artist including Steve Rude, Ariel Olivetti, Kim Jung Gi, Artgerm, Loish, Phobes and many other industry giants attached to 21 Draw, we needn’t fret. In just one week the project raised $77,000. Over the course on May 2,337 backers raised $150,181, more than 3 times its original goal.
In little over a year, adult colouring books have made a monumental impact across the publishing world. You need only to take a look at Amazon’s Best Sellers Book list to garner how popular they have become. Various titles are sprinkled all over the top 10 list and beyond. They have well past their craze phase and transitioned to a staple in everyday culture.
However, colouring books for grown-ups is not a new concept. Ruth Heller, a children’s author and graphic artist produced many colouring books aimed at children and adults alike throughout the 1970s up until 2000. I also remember a rather tongue-and-cheek Gangsta Rap Coloring Book, which came out in 2004 to favourable reactions. So what has changed? Why is adult colouring books now a ‘thing’?