Matt Taylor is a “Tall, semi-dashing” illustrator. At least that is the description on his twitter profile.
Based in the sunny countryside of Sussex Taylor has created illustrations for huge brands including Adidas, Google, Sony, Paramount Pictures and Penguin Books. Matt Taylor is however, best know for his Americana inspired movie posters for Gallery1988 and Mondo.
Taylor has also self-published a short comic titled, The Great Salt Lake, about a shipwrecked cast away struggling to make his way home. Recently Taylor produced interior art for Ales Kot’s Zero, published by Image.
Greg Wright is a Philadelphia-based freelance illustrator. A University of the Arts graduate, Wright is the head designer, as well as a contributor, for the t-shirt company, InksterInc. Wright’s work utilises a restrained pallet, often without any shading. His simplified shapes and limited details makes his illustrations ideal for pretty much any product he chooses to put them on. All of which combines to make his Society6 shop off-limits for me, and only fit for those who have some self-control, or deep pockets.
You can find more of Greg Wright’s illustrations on his website and tumblr.
Nicolas Nemiri was born 1975 in Mulhouse, France. He studied at the Ecole Européenne Supérieure de l’Image in Angoulême. After graduating and moving to Japan, at the age of 20 he was making money by doing odd jobs, including illustrating for Japanese fashion magazines.
In 1998 writer Jean David Morvan saw some of Nemiri’s drawings and asked him to work on the comic series Reality show. Nemiri was enthusiastic but decided to turn down Morvan’s offer. However, he later accepted the offer to work on the futuristic series Je suis morte (I died), published by Glénat. This successful collaboration marked the beginning of a long working relationship with Morvan. Creating two more series, Hyper l’hippo (2005) and Annie Zoo (2009).
Jean Pagès was a Franch illustrator and muralist. Growing up in the beautiful Versailles, Mr Pagès completed architectural studies before redirecting his creative focus. Mr Pagès explored his artistic style under the tutelage of Fauvist painter Raoul Dufy.
In 1925 Jean Pagès made his illustration debut with women’s fashion magazine Jardin des Modes. A magazine which was founded by Lucien Vogel and published by Condé Nast. The descriptive nature of Mr Pagès’ illustrations made them appealing to advertisers, and so was requested by numerous companies to produced advertising illustrations for them. Companies including automobiles manufacturers LaSalle, and shipping company Compagnie Générale Transatlantique.
However the Condé Nast family soon got Mr Pagès back and kept him busy illustrating for Vogue, both the French and US publications. Just as advertisers saw merit in Mr Pagès’ accurate depiction, the publishing director of Condé Nast praised the Mr Pagès’ legible drawing of garments that helped prevent misleading their readers.
Jean Pagès has created murals for many leading restaurants and supper clubs. One such restaurant was New York’s La Caravelle. St. Exupéry asked for Mr Pagès’ painting to be “bright and gay and depict typical Paris park and street scenes”. The beautifully finished murals stretched wall to wall, and the restaurant was visited by royalty, celebrities and socialist. Regrettably one guest, Salvador Dalí, accidentally scratched a mural with his cane.
As with many early 20th-century illustrators, there is not a dedicated website or book you can go to find out more about Jean Pagès and his work. However, you can find many of his Vogue work on the Condé Nast Collection wesite, as well as some of his other editorial work on the HPrints website.
Based in Rome, Italy, Daniela Volpari is a freelance art director and children’s book illustrator. She graduated in 2009 from the Scuola Internazionale di Comics (International School of Comics), which is quite possibly the best school I have ever heard of. Ms Volpari landed her first published work the very same year creating editorial illustrations for Un duetreStella and Grazia. Also in the same busy year publishers Paramica released a children’s book based on Giacomo Puccini’s opera La Bohème, retold by Fbrizio Silei and beautifully illustrated by Ms Volpari. Since then Ms Volpari has work consistently. She has received multiple awards and regularly exhibits her work at Gallery Nucleus, most recently taking part in the Imaginary Friends event.
Ms Volpari’s gouache paintings are warm and playful. They are harmonious in tone but often dynamic in composition. I particularly love her illustrations for Oliver Twist. They have a very “Illustrator’s Lounge” feel to me, that may just be because of all the top hats. You can find Daniela Volpari on twitter, facebook, and etsy, and find more of her work on her website and blog.