Living in Copenhagen, Irene Kold is an illustrator specialising in fashion illustration, print and surface design. Graduating in 2006 from The Royal Danish Academy of Fine Arts, Kold became a freelancer in 2010. Many of her clients are within the fashion and lifestyle industry, including Vila, Kokoon, Envii, and Journalisten. She is also represented by Anna Goodson Management, putting her amongst very good company.
Footloose and unconstrained, Kold’s works with various materials to create expressive illustrations. Her handmade look is accentuated by using very relaxed and unfinished lines, splashes of colour and pattern. Kold’s typography is equally dramatic, complimenting her illustration perfectly.
You can find much more of Irene Kold’s illustrations on her website.
Croatian illustrators Tonči Zonjić (pronouced TAWN-chih ZAWN-yitch) has been called “a master of cinematic comics”, which, I am inclined to agree with.
Zonjić was born in 1986, originally studied Math at the Natural Sciences High School, with the intentions of going into Computer Programming. Then one fateful day the wonderful word of art took hold of him. Originally Zonjić studied Graphic Design, but found it was not a good fit for him due to a desire to draw more, so after a year he switched gears and joined the Fine Arts Academy to study Animation. Though happier there, the course did not sustain him and Zonjić dropped out after two years to become a freelance illustrator.
During his time as a freelancer Zonjić worked on storyboards, advertisements, book covers, and had a weekly newspaper slot drawing portraits. He dipped his feet into comic via Darko Macan’s fanzine Q strip.
Working as a freelancer, and having the chance to grow as a comic artist through shorter strips, Zonjić became very comfortable handling all parts of the comic process from story to pencils, inks, color and letters. So when he entered the American comic world with Marvel’s The Immortal Iron Fist series by Ed Brubaker and Matt Fraction, he was already exhibiting confident clear storytelling. Since then he has worked on both Marvel and DC titles, Mike Allred’s Madman, Mike Mignola’s Lobster Johnson and Ales Kot’s Zero.
2011 saw the release of his collaboration with writer Nathan Edmondson, Who Is Jake Ellis? The spy thriller, entirely drawn and coloured by Zonjić, really allows him to explore a more cinematic approach to storytelling. Using colour heavily to help differentiate scenes, reminiscent of 100 Bullets. In the follow-up, Where is Jake Ellis? Zonjić just blows it out of the water. Everything is tightened, from the design and layouts to the pacing, and showing much more confident as a colourist. With the fifth and final issue of Where is Jake Ellis? yet to be released with no annonuced release date, the complete trade paperback however, is set for release in July 2015.
Other than picking up the Jake Ellis comics, which you really should do, you can also see more of Tonči Zonjić’s work on his website and blog.
Swedish freelance illustrator, Andreas Bennwik, has worked with a plethora of large brands including Volkswagen, Micheline, Audi, EMI, McDonalds and Paradox Interactive. He has produced illustrations for advertising, packaging, video games and book covers. Some of his book cover highlights including Nancy Drew, Famous Five and The Hardy Boys.
With such a large body of work, it may amuse you to know, I actually stumbled on his work after seeing a piece he is working for the upcoming film, Kung Fury. I cannot wait to see the finished poster, and the film for that matter.
His realistic renditions allow for some wonderful juxtapositions and satire. This is explored particularly in his editorial work. Some of Bennwik’s illustrations are rendered so well, that you have to double take, making sure it’s not a photograph you are looking at.
To see more of Andreas Bennwik’s work head over to his website.
Presenting the very majestic work of Matt Rockefeller. Born in Tucson, Arizona he studied illustration and animation at the talent-breeding Maryland Institute College of Art (MICA). After completing his Bachelor degree in 2014, Rockefeller chose to stay in Baltimore and begin his career as freelance illustrator and visual development artist.
During his studies, and in the year that he has been working professionally, Rockefeller has compiled an astounding portfolio. His illustrations are beautifully rendered utilising graphite powder, pencils and digital colours. He is always focusing on how to best convey the narrative and retaining meaning. This care to visual communication is evident looking through his work, and is also what sets it apart.
Martin Brown, along with his partner in crime Terry Deary, are heroes to parents and children across the world. Their combined efforts on Horrible Histories has made reading and learning more fun and accessible to many. Their work, along with their publisher’s Scholastic, have spawn over 100 titles, animated and live-action TV series, video games, theatre and roadshows, a magazine, and a plethora of merchandising. Spanning two decades, Horrible Histories is nothing short of a phenomenon.
Martin Brown was born 1959 in Melbourne, Australia. After setting his mind on teaching he went to college to become an art teacher. However, he didn’t see it through, rather after a short couple of years working in television, Brown packed his bags and set off to see the world. Like many Aussies, he made his way to London, but unlike most he decided to stay. One can only assume it was the sun and pace of life that persuadedstar him. Alternatively, it could have been that fact that he started to get work in what he loved doing, drawing.
Brown worked his way up, starting from the odd illustration to greeting cards.
Side note, I went through a phase of collecting greeting cards. Buying one if I ever saw an illustration I liked. Martin Brown’s work being a perticular favourite of mine, I still have them stored away.
Building up a reputation, Brown soon started drawing for magazines and books. His career got the boost it needed when he landed the job of illustrating Peter Corey’s book, Coping With Parents. The book was published by Hippo Books, an imprint of Scholastic, beginning Brown’s fruitful relationship them. More recently, Martin Brown illustrated a re-issue of The Adventures of the New Cut Gang. Written by the esteemed Philip Pullman, of His Dark Materials fame.
I have waited and hoped for Martin Brown to claim a corner of the internet where he can put up some of his more personal work, amongst his commercial ones. Sadly that wait goes on. However, for now you can find his illustrations all over the Horrible Histories website. You can, of coarse, just go to your bookshelf and get down your copy of a Horrible Histories book, we all have (at least) one!