Storyboard and comic artist Vera Brosgol was born in Moscow, but has lived in the United States since the age of five. She contributed to 3 volumes the Flight anthologies and gained broad recognition with her first graphic novel, Anya’s Ghost. Published in 2011 by First Second Books, it won Brosgol an Will Eisner award in Best Publication for Teens.
You can check out more of Vera Brosgol’s work on her website. She has not updated her blog in a short while, but you can have plenty of fun sieving through the archive, where you can find posts like this, about her process.
Continuing our unsolicited Canadian courtship I present to you Thomas W. H. Fowler. Hailing from Ottawa (Canada), and kicking around the comic circuit for a number of years, his previous published works include Revolution on the Planet of the Apes, Venom, Green Arrow, Grendel, Star Wars: Jango Fett and Batman: Legends of the Dark Knight. Not forgetting he was also a regular contributor to Comic Twart.
Mr. Fowler is magnificent with inks and a brush. I particularly revel seeing his scans before the lines are made a solid black, as he consciously uses a variety of hues. You can find more of Mr. Fowler’s work on his blog, BLARG!
Genevieve Godbout is a children’s book and fashion illustrator based in London. Originally from Quebec, she studied animation in Montreal, then at the prestigious Gobelins in Paris. Godbout has worked with the likes of Disney, les editions Milan, and La Pastèque.
Godbout’s soft pointillistic style is used to create tranquil scenes, vast in colour but never over-whelming. A perfect combination for children’s books.
William Martin Busch was born in Breslau, Germany. His father was a painter and professor at the Academy of Fine Arts in Wroclaw. During Mr. Busch’s professional life he jumped from decorative painter to press illustrator, freelancing as artist, then sharing his wisdom as a teacher. Not least, amidst it all, illustrating over 300 books. Duly earning recognition and the distinguished Edwin Scharff Prize.
Mr. Busch’s style ranges from meticulous and realistic renders, to loose and speedy sketches. Of which his entire gamut is equally enchanting. Personally, I am besotted by Mr. Busch’s more relaxed linework. He could capture the essence and gesture of a moment at a level that is rarely achieved.
Will Eisner Award Hall of Fame Inductee, John Stanley, is best known for rendition of comic Little Lulu.
Beginning his artistic journey In the 1930s, illustrating for the Fleischer animation studios, Mr. Stanley went on to freelance for the Western Printing Company. During this period he created stories for many much-loved characters including Bugs Bunny, Andy Panda, and Woody Woodpecker.
One day, mid 1940s, Oscar Lebeck approached John Stanley to produce a bi-monthly series of Marjorie Henderson Buell’s Lulu Moppett character. Mr. Stanley stuck to scripting duties for the most part, but did draw many of the early issues, and would produce a storyboard sketch for artist’s Irving Tripp and Charles Hedinger to work from.
Modestly shrugging off being selected for the Little Lulu comic as “chance”, other illustrators are not so coy about singing his prises.
Fred Hembeck hailed John Stanley as,
“The most consistently funny cartoonist to work in the comic book medium”.
and C.C. Beck said,
“The only comic books I ever read and enjoyed were Little Lulu and Donald Duck.”
A great place to find out more about John Stanley and his contribution to the comic industry is the blog, Stanley Stories.
I am by no means the first to write about this incredible book, but I recently ordered a couple for my son and niece, so I thought I’d now spread the word seeing as I now have them in my hands.
The deal is this: for £18.99 (including free worldwide shipping might I add), you get a perfect bound, personalised children’s book with a story centred around your child’s name. Simply visit LostMy.Name and type in your child’s name and then select ‘boy’ or ‘girl’. You can preview the whole book online, which is great. The entire website experience is great.
These guys seem to have gotten everything right, from the story by David Cadji-Newby to the truly beautiful and stylish illustrations by Pedro Serapicos. The books are perfect bound on some nice matt stock, too. I’ll also add that the customer service was really helpful (I shamefully mis-spelled my niece’s name, but they were very friendly put it right for me).
I cannot recommend this enough; it’ll make the perfect gift and for a price that doesn’t break the bank.
Firstly, we would like to wish all our fellow Loungers a Happy New Year and hope you had a cheerful festive break. We would also like to take this opportunity to remind you that we are looking for Guest Authors. If you are a knowledgeable illustration-enthusiast, write well, and want to share your passion on the Lounge for all to read, please contact us. We would love to get back to posting daily by expanding the Illustrator’s Lounge team and can not do it without your help.
Now, with the formalities out of the way, let me introduce you to today’s feature, G. Grossman. If you are anything like me and wondering what the “G” stands for, I used all the Google-Fu I know but still could not find out for you, so sadly that will have to remain a mystery. However, though the forename is unsaid, G. Grossman has been rather vocal about their process answering a cross-section of questions. I positively appreciate the variety of time-honoured mediums Grossman uses, particular the watercolour/colour pencil combination. It is also nice to know Grossman’s skill as a traditional illustrator does not deter from taking pieces to the computer to add that little bit extra. To see more of G. Grossman’s work please check out the GG Makes Art website, and tumblr.