A Large Evil Corporation do exactly what you may suspect, steal candy from babies and worship the almighty dollar. However, in the plus column, they do produce wonderful animations! I was alerted to their work, like many, through their superb Cornetto… Evil Vinyl designs. Something that started as a fun homage quickly began attracting a lot of attention. After the huge positive response and endless questions such as, “These are awesome, where can I buy them?” the Evil Corp. recently announced they have partnered with toy company Funko, to capitalise on their success.
A Large Evil Corporation has produced adverts for clients including Unilever, Orange, Virgin, and General Mills. Many of these adverts as well as their shorts can be enjoyed on their Vimeo channel.
Now you know all about the evils that A Large Evil Corporation do, you may want keep an eye on them. You can do so via their twitter and Facebook pages.
Presenting the very sumptuous work of Amélie Fléchais. A French children’s book illustrator and visual development artist. Graduated in 2011, Ms Fléchais earned a diploma in 2D animation from ESAAT (Ecole Supérieure Arts Appliqués et Textile). That same year she interned at Cartoon Saloon, an Irish animation studio responsible for the Oscar-nominated The Secret of Kells. There she produced concept art for the feature film Song of the Sea. A couple years later, Ms Fléchais was asked back to do further visual development and background art for Song of the Sea. More recently Ms Fléchais has shared her talents with Dreamworks and Hornet animation studios.
Additionally, since graduating, Amélie Fléchais has worked on three books, Chemin Perdu (Lost path), Le Petit Loup Rouge (Little Red Wolf) and soon to be released L’homme Montagne (Mountain Man). Both Chemin Perdu and Le Petit Loup Rouge are a feast for the eyes. Each page is carefully created. The illustrations are intricate, textured and rich in colour. Ms Fléchais has an incredible talent for the whimsical and joyous, and her talents really shine through in these books.
Gerhard Human is a Designer and Illustrator currently living in Cape Town, South Africa. He works as a Creative Director for advertising agency Masters & Savant Worldwide. He regularly produces personal work for gallery exhibitions, and in the last three years he has participated in no less than a combination of 20 group and solo shows.
Describing his work as “simplification of a chaotic state” he has applied his artwork to apparel, animation, comics, and skateboards. Mr Human illustrated a short-story called Birdie, written by Lauren Beukes, for the DC/Virtigo anthology The Witching hour #1. He has also provided illustrations for an MTV ident and his excellent contribution to the Radiohead In Rainbows competition earned him a Semi-Finalist position.
Based in sunny California, Cory Loftis originally worked as a lead artist at Carbine Studios, but as of 2011 he joined Walt Disney Animation Studios. In his role as a visual development artist he has contributed to feature films including Wreck-It Ralph (2012) and Frozen (2013).
Cory Loftis’ blogspot showcases the artwork that he produces when he is “out of the office”. It is filled with inspiring experimentation and various styles. For his more recent work Mr Loftis started a tumblr, which thankfully continues where his blogspot left off.
With this post The Lounge has reached a rather large milestone, 1000 posts. Thinking about that got me a little nervous. I started to question what illustrator would best mark this milestone. One of my favourite illustrators? One of the greats of yesteryear? One of the ground-breaking new talent? Since this blog is all about inspiration, I asked myself, “who has inspired me most?” Well, that was an easy question to answer. Without a doubt that would be my cousin, and fellow Lounge author, Mr Kyri Kyprianou.
I wont be able to get around the fact that this will be a slightly personal post, but I will try to keep it on track. Kyri is roughly two years older than me, and being older has two years more experience and drawing time than I. Two years that as a child I tried, in vain, to catch up on. We would often draw together, spending whole weekends doing nothing but that, only taking a break to go buy some penny sweets. Kyri always seemed to figure out things way quicker than I could. Whilst I jumped styles with each drawing, Kyri nailed a pretty unique style early on. His work, without a doubt was my yard stick.
Kyri studied animation at the Kent Institute of Art & Design. After three years of disciplined working habits his pencils tightened up considerably. He was using shapes more and his illustrations demonstrated an economy of style. At this point I knew there was no chance of me catching up to his level. But of course that didn’t deter me, it only made me aim higher.
After university Kyri went on to intern at a small London animation studio, called C.H.A.S.E., where he learnt the art of pitching. Not long after we both joined forces, along with Mr Tarkan Paphiti, to create the Illustrator’s Lounge. Effectively a group of illustrators united under one banner. In that time Kyri produced character designs for online video games, web animations, and spear-headed the Paper Project. Kyri has always comfortably jumped between mediums, and though he was a bit of a technophobe at first, rapidly mastered the tools of photoshop and illustrator.
Currently Kyri works as a graphic designer and illustrator for a web development company, where he has picked up new disciplines, such as branding and typography. In his spare time he is also working on a children’s animation pitch along with comic book writer David Berner.
Having an artist to work with, bounce ideas off, and critique your drawings is invaluable. It can often be difficult working and developing your skills in solitude, so I knew how lucky I was to have access to such a great talent. His work has been, and remains, my greatest inspiration.