The vibrant and very cute illustrations of Laura Müller have a very lively quality to them. Though her style tends to lean towards manga, a western animation influence is very visible. Mr Müller has a varied colouring technique, all very strong, but I think her watercolours and her digital paintings are perticularly pleasing.
Jean Pagès was a Franch illustrator and muralist. Growing up in the beautiful Versailles, Mr Pagès completed architectural studies before redirecting his creative focus. Mr Pagès explored his artistic style under the tutelage of Fauvist painter Raoul Dufy.
In 1925 Jean Pagès made his illustration debut with women’s fashion magazine Jardin des Modes. A magazine which was founded by Lucien Vogel and published by Condé Nast. The descriptive nature of Mr Pagès’ illustrations made them appealing to advertisers, and so was requested by numerous companies to produced advertising illustrations for them. Companies including automobiles manufacturers LaSalle, and shipping company Compagnie Générale Transatlantique.
However the Condé Nast family soon got Mr Pagès back and kept him busy illustrating for Vogue, both the French and US publications. Just as advertisers saw merit in Mr Pagès’ accurate depiction, the publishing director of Condé Nast praised the Mr Pagès’ legible drawing of garments that helped prevent misleading their readers.
Jean Pagès has created murals for many leading restaurants and supper clubs. One such restaurant was New York’s La Caravelle. St. Exupéry asked for Mr Pagès’ painting to be “bright and gay and depict typical Paris park and street scenes”. The beautifully finished murals stretched wall to wall, and the restaurant was visited by royalty, celebrities and socialist. Regrettably one guest, Salvador Dalí, accidentally scratched a mural with his cane.
As with many early 20th-century illustrators, there is not a dedicated website or book you can go to find out more about Jean Pagès and his work. However, you can find many of his Vogue work on the Condé Nast Collection wesite, as well as some of his other editorial work on the HPrints website.
A Large Evil Corporation do exactly what you may suspect, steal candy from babies and worship the almighty dollar. However, in the plus column, they do produce wonderful animations! I was alerted to their work, like many, through their superb Cornetto… Evil Vinyl designs. Something that started as a fun homage quickly began attracting a lot of attention. After the huge positive response and endless questions such as, “These are awesome, where can I buy them?” the Evil Corp. recently announced they have partnered with toy company Funko, to capitalise on their success.
A Large Evil Corporation has produced adverts for clients including Unilever, Orange, Virgin, and General Mills. Many of these adverts as well as their shorts can be enjoyed on their Vimeo channel.
Now you know all about the evils that A Large Evil Corporation do, you may want keep an eye on them. You can do so via their twitter and Facebook pages.
Jocelyn Joret is a Canadian illustrator and currently the Senior 2D artist at Gameloft. Part of the Gameloft team since 2009, Mr Joret has worked on titles such as Earthworm Jim HD (2010), Bailout War$ (2009) and Bridge Odyssey (2009). In that time he has contributed in variety of disciplines including Pack illustrations, mock-ups, backgrounds, character design and Concept art.
Presenting the very sumptuous work of Amélie Fléchais. A French children’s book illustrator and visual development artist. Graduated in 2011, Ms Fléchais earned a diploma in 2D animation from ESAAT (Ecole Supérieure Arts Appliqués et Textile). That same year she interned at Cartoon Saloon, an Irish animation studio responsible for the Oscar-nominated The Secret of Kells. There she produced concept art for the feature film Song of the Sea. A couple years later, Ms Fléchais was asked back to do further visual development and background art for Song of the Sea. More recently Ms Fléchais has shared her talents with Dreamworks and Hornet animation studios.
Additionally, since graduating, Amélie Fléchais has worked on three books, Chemin Perdu (Lost path), Le Petit Loup Rouge (Little Red Wolf) and soon to be released L’homme Montagne (Mountain Man). Both Chemin Perdu and Le Petit Loup Rouge are a feast for the eyes. Each page is carefully created. The illustrations are intricate, textured and rich in colour. Ms Fléchais has an incredible talent for the whimsical and joyous, and her talents really shine through in these books.